Julius Leblanc Stewart USA
9-6-1855 Philadelphia, USA - 1-5-1919 Paris, FRABack to Artist IndexView Artists Paintings
Julius LeBlanc spent his career in Paris. A contemporary of fellow expatriate painter John Singer Sargent, Stewart was nicknamed "the Parisian from Philadelphia"
His father, the sugar millionaire William Hood Stewart, moved the family from Philadelphia, Pennsylvania to Paris in 1865, and became a distinguished art collector and an early patron of Fortuny and the Barbizon artists. Julius LeBlanc Stewart studied under Eduardo Zamacois as a teenager, under Jean-Léon Gérôme at the École des Beaux-Arts, and later was a pupil of Raymondo de Madrazo.
Julius LeBlanc Stewart's family wealth enabled him to live a lush expatriate life and paint what he pleased, often large-scaled group portraits. The first of these, After the Wedding, showed the artist's brother Charles and his bride Mae, daughter of financier Anthony J. Drexel, leaving for their honeymoon. Subsequent group portraits depicted his friends — including actresses, celebrities and aristocrats — often with a self-portrait somewhere in the crowd.
Julius LeBlanc Stewart exhibited regularly at the Paris Salon from 1878 into the early 20th century, and helped organize the "Americans in Paris" section of the 1894 Salon.
He painted a series of sailing pictures aboard James Gordon Bennett, Jr.'s yacht Namouna. The most accomplished of these, On the Yacht "Namouna," Venice, showed a sailing party on deck and included a portrait of the actress Lillie Langtry. Another, Yachting on the Mediterranean (1896), set a record price for the artist, selling in 2005 for US$2.3 million
Late in life, he turned to religious subjects, but Julius LeBlanc Stewart is best remembered for his Belle Époque society portraits and sensuous nudes.
Art Movement: Academic Art
Influences: Eduardo Zamacois, Jean-Léon Gérôme, Raymondo de Madrazo