Thomas Couture France

12-21-1815 Senlis, FRA - 3-30-1879 Val-d'Oise, FRA

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Couture, Thomas

At age 11, Thomas Couture's family moved to Paris where he would study at the industrial arts school (École des Arts et Métiers) and later at the École des Beaux-Arts. He failed six times in the Prix de Rome competition at the École six times, but he felt the problem was with the École, not himself. Couture finally did win the prize in 1837.

In 1840, he began exhibiting historical and genre pictures at the Paris Salon, earning several medals for his works, in particular for his 1847 masterpiece, Romans During the Decadence. Shortly after this success, Thomas Couture opened an independent atelier meant to challenge the École des Beaux-Arts by turning out the best new history painters. Throughout his life, he formed artists such as Pierre Puvis de Chavannes, who remained for a short time, and Édouard Manet, who, despite his conflicting relations with Couture, frequented his studio for six and a half years.

Thomas Couture's innovative technique gained much attention, and he received Government and Church commissions for murals during the late 1840s through the 1850s. However, he never completed the first two commissions, while the third met with mixed criticism. Upset by the unfavorable reception of his murals, in 1860 he left Paris, for a time returning to his hometown of Senlis, where he continued to teach young artists who came to him. In 1867 he thumbed his nose at the academic establishment by publishing a book on his own ideas and working methods. It was also translated to "Conversations on Art Methods" in 1879, the year he died.

Movement: Academic Art
Influenced: Edouard Manet, Henri Fantin-Latour, John La Farge, Pierre Chavannes, Karel Javůrek, Lois de Sylvestre, Fritz Zuber-Bühler
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