Roelandt Jacobsz Savery Netherlands
9-1576 Kortrijk, NED - 2-25-1639 Utrecht, NEDBack to Artist IndexView Artists Paintings
After his schooling, Roelant Jacobsz Savery traveled to Prague around 1604, where he became court painter of the Emperors Rudolf II and Mathias, who had made their court a center of mannerist art. Between 1606-1608 he traveled to Tyrol to study plants. Gillis d'Hondecoeter became his pupil.
Before 1616 Roelant Jacobsz Savery moved back to Amsterdam, and lived in the Sint Antoniesbreestraat. In 1618 he settled in Utrecht, where he joined the artist's guild a year later. His nephew Hans would become his most important assistant.
Roelant Jacobsz Savery was friends with still life painters like Balthasar van der Ast and Ambrosius Bosschaert. In the 1620s he was one of the most successful painters in Utrecht, but later his life got troubled, perhaps because of heavy drinking. Though he would have pupils until the late 1630s, amongst which Allaert van Everdingen and Roelant Roghman, he went bankrupt in 1638 and died in Utrecht half a year later.
Roelant Jacobsz Savery primarily painted landscapes in the Flemish tradition of Gillis van Coninxloo, often embellished with many meticulously painted animals and plants, regularly with a mythological or biblical theme as background. He also painted multiple flower still lifes; bouquets in stone niches, sometimes with lizards, insects or fallen petals and regarded as his best work.
His unique style of painting, related to the then reigning Mannerism, has been highly popular with collectors and can be found in many museums in Europe and North America. His preparatory drawings are also valued highly.
Roelant Savery is famous for being the most prolific and influential illustrator of the extinct dodo, having made at least ten depictions, often showing it in the lower corners. A famous painting of his from 1626, now called Edwards' Dodo as it was once owned by the ornithologist George Edwards, has since become the standard image of a dodo. It is housed in the Natural History Museum, London. This and his other images are the source for many other dodo illustrations.
Art Movement: Mannerism Art
Influences: Jacob Savery, Hans Bol
Traveled: Czeck Rep.
Influenced: Gillis d'Hondecoeter