John Frederick Kensett USA
3-22-1816 Cheshire, USA - 12-14-1872 New York, USABack to Artist IndexView Artists Paintings
John Frederick Kensett attended school at Cheshire Academy, and studied engraving with his immigrant father, Thomas Kensett, and later with his uncle, Alfred Dagget. He worked as engraver in the New Haven area until about 1838, then went to work as a bank note engraver in New York City.
In 1840, along with Asher Durand and John William Casilear, John Frederick Kensett traveled to Europe in order to study painting. There he met and traveled with Benjamin Champney. The two sketched and painted throughout Europe, refining their talents. During this period, Kensett developed an appreciation and affinity for 17th century Dutch landscape painting. Kensett and Champney returned to the United States in 1847.
After establishing his studio and settling in New York, Kensett traveled extensively throughout the Northeast and the Colorado Rockies as well as making several trips back to Europe.
John Frederick Kensett is most closely associated with the "second generation" of the Hudson River School. Along with Sanford Robinson Gifford, Fitz Henry Lane, Jasper Francis Cropsey, Martin Johnson Heade and others, the works of the "Luminists", as they came to be known, were characterized by unselfconscious, nearly invisible brushstrokes used to convey the qualities and effects of atmospheric light.
In 1851 John Frederick Kensett painted a monumental canvas of Mount Washington that has become an icon of White Mountain art. Mount Washington from the Valley of Conway was purchased by the American Art Union, made into an engraving by James Smillie, and distributed to 13,000 Art Union subscribers throughout the country. Other artists painted copies of this scene from the print. Currier and Ives published a similar print in about 1860. This single painting by Kensett helped to popularize the White Mountain region of New Hampshire.
John Frederick Kensett's style evolved gradually, from the traditional Hudson River School manner in the 1850s into the more refined Luminist style in his later years.
The artist was widely acclaimed and financially successful during his lifetime. In turn, he was generous in support of the arts and artists. He was a full member of the National Academy of Design, the founder and president of the Artists' Fund Society, and a founder and trustee of the Metropolitan Museum of Art.
Movement: Luminism, Hudson River School
Influences: Thomas Cole
Traveled: France, Italy, Netherlands