John Ferneley England
5-18-1782 Thrussington, ENG - 1-16-1860 Melton Mowbray, ENGBack to Artist IndexView Artists Paintings
John Ferneley first apprenticed until 1801 to his father, who was a master wheelwright, he was encouraged to take up painting by John Manners,. Accordingly, he moved to London and studied under the sporting artist Benjamin Marshall. While training with Marshall he joined the Royal Academy School. His work was exhibited between 1806 and 1853 at the Royal Academy.
Here he built his studio and later a house, Elgin Lodge, in Melton Mowbray was fast becoming a watering hole for the sporting fraternity and the place where modern fox-hunting developed in the late eighteenth century. Hugo Meynell, a wealthy local bred his hounds to keep up with the horses and riders in their pursuit over hedges and ditches. At this time riders began wearing the scarlet jackets which were to become traditional.
John Ferneley's paintings depicted hunting when it was extremely fashionable. Good horses sold quite readily for 200 guineas and most riders had at least ten in their stables. His work became much sought after, his patrons including many Royals and personalities such as Beau Brummel and the Count d'Orsay. The members all contributed to the painter's fee and then drew lots to determine the winner.
John Ferneley specialised in painting "scurries", panoramic paintings showing a sequence of events. He befriended Sir Francis Grant and helped him with the painting of horses while Grant in return helped with figure painting. In this way they collaborated on a number of paintings.
Between 1810 and 1812 he visited Ireland twice more, carrying out a great number of commissioned paintings for wealthy Irish patrons. He produced six children with his first wife - three of his children later became painters.
Movement: Victorian Classicism
Influences: Benjamin Marshall, Francis Grant