Eugène Isabey France

7-22-1803 Paris, FRA – 4-27-1886 Montévrain, FRA

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Isabey, Eugène

Eugène Isabey originally wanted to be a sailor, but his father insisted that he study painting; a turnabout from the usual situation where the family opposes an artistic career in favor of something more practical.

After studying with his father and copying the Old Masters at the Louvre, Eugène Isabey began sharing a studio with the landscape painter, Xavier Leprince at Honfleur, in 1824, then moved to Saint-Siméon after Leprince's untimely death. The following year, he sent some landscapes to the Salon for his first formal exhibition.

In 1831, he was chosen to accompany a diplomatic mission to Morocco, led by the Comte de Mornay, but he politely refused. He had just returned from a short trip to Algiers, where he had painted scenes of the Royal Navy's campaign. He was replaced by his friend, Eugène Delacroix, who created over 100 works that are now considered classics of Orientalism.

Shortly after, however, Eugène Isabey became a court painter for King Louis-Philippe and was named a Knight in the Légion d'Honneur in 1832. One of his best known paintings was done during this period, in 1840, depicting the return of Napoleon's remains from Saint Helena aboard the Belle Poule.

Eugène Isabey favored historical paintings, genre scenes and landscapes, but also executed numerous canvases depicting storms and shipwrecks. During a trip to England, he was known to have studied the works of J.M.W. Turner. He took in students on a regular basis; including Eugène Boudin, Johan Barthold Jongkind and Durand-Brager. In his later years, he turned from marine painting to historical scenes, usually of a violent nature, such as massacres, duels and robberies.

Movement: Romanticism
Influences: Xavier Leprince, J.M.W. Turner
Traveled: Algeria, England
Influenced: Eugène Boudin, Johan Barthold Jongkind, Durand-Brager
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